Back In The Good Old Dayz.

The Journey To Great.

The Wherewithal Of A Legend.

Laugh Out Loud.

The Battle For Coca-Cola

The Battle For Coca-Cola
Rages On.

Ain't Nothing Like
The Real Thing, Maybe.

Last Blast Of Cool.

The Death Of Advertising.

Working Twice As Hard

I Don't Mean To Say
I Told You So, But...

Global Cooling

It Is Futile to Resist,

Are Consumers Smarter
Then We Are?.

The Four Great Myths
Of Global Branding.

Mr Bevis Butts Heads
with Mitsubishi

Agility In The Marketplace

Mitsu Who?

The Best Laid Plans
Of Mice And Men.

The Future As I See It.

 

 

The Four Great Myths of Global Branding. One of these days one of you guys out there who has signing authority over those really big checks that get written to guys like me for telling guys like you what to do...won't. That's right. You're gonna tap that pencil you love to tap while we're pitching you the latest "Must Do's" for the brand, and then it will come to you.


VOLUME
FIFTEEN
WEDNESDAY
DECEMBER 1,
2004

An Epiphany.

"That's it," you'll whisper. "I've heard enough," you'll mutter. "Out," you'll exclaim. And out we'll go.

The minute we leave, you will swivel around in your chair, look to the horizon from your corner office, snap your pencil and state to the world at large, "They must think I'm some kind of ( insert expletive) idiot."

It seems like your years in advertising have made you a very cynical, bitter, individual. I can feel your pain in some of the things you write. – Dick Z. New Orleans
You're right. I quit,.-hw

I went to your Broadway ltd. website and played all the flash movies. What I don't get is why you are wasting time doing this adblog crap when you could be making that story into a great movie or something- S.R. Hollywood
You're right. I quit, again.-HW

Then you will pick up the phone and order your minions to cancel, cancel, cancel as much as they can, as fast as they can. I'm positive that's what Ian Beavis, svp of marketing, product planning and public relations at Mitsubishi Motors North America did, right before he pulled his company's $300 million out of Network Television after the network Upfront Markets last May.

Of course for all of his bravado then, Mr. Bevis is now the EX- svp of marketing, product planning and public relations at Mitsubishi Motors North America, as of this past Friday.

So much for bucking the system in Corporate America. But you don't have to buck the system just to know when you're being taken for a ride. Mr. Bevis looked at his return on investment with interactive marketing and looked at the ROI on his Network buy and made what he believed to be the prudent business decision. Problem was that pesky third title of his. The "and public relations," part. " Hi NBC. We just pulled our entire schedule off your network. See you at our booth at the National Auto Show."

Or how about, " I know how you dealers love those hot, hot, hot TV spots with the skank sisters lip-synching the words to the hits and doing those edgy little seat dances...well forgettaboutem. We're doing $300 million in pop up ads. Live with it."

The First Great Myth In Global Branding. Marketing Defines The Brand.

Marketing has a hard enough time getting the customer to pay attention to what's being sold, let alone trying to influence consumers on the warm and fuzzies about who they're buying it from. So the next time some wanker tries to convince you that consumers love brands because they offer an extra value, in addition to that of their core product or service, ask them to define in precise terms exactly the nature of said value.

"Hmmm, Mitsubishi...wasn't that the builder of the Zero fighter planes that those 14 year old Kamikaze pilots dumped on the decks of U.S. battle groups in the Layte Gulf at the end of W.W.II?" is how my dad put it as he passed their dealership and rolled into the Ford lot across the street to buy his new SUV. But damn, those slut sisters do a mean lip sync.

Marketing doesn't define the brand. History defines the brand. Experience, personal or referred defines the brand. Comparison defines the brand.

The Second Great Myth In Global Branding. Advertising Defines The Brand.

"Who lives in a pineapple under the sea?" a great man once asked. The response of millions upon millions of children of all ages yelling at the top of their decibel range...SPONGEBOB SQUAREPANTS!!!

And tagging along on the coat tails of this bonified phenomena comes the supposedly reborn Burger King. You remember them? The guys who fired Y&R and hired edgy Miamians Chrispin, Porter & Bogusky ( of Mini fame) to build an ad campaign to end all ad campaigns that would put their lack luster brand on par with Mickey D's and KFC. Yeah, those guys. Well here's a report from the front.

The Spongebob movie is packing them in, but the best Crispin, Porter and Bogusky can muster is a spot that shows some loser running around an office lunchroom ( huh?) asking his coworkers "What time is it?," so he can flash his Spongebob watch, which they all seem to have. The spot looks like it was shot at the agency by the mailroom guys. But that's not the worst of it.

This past Holiday weekend Burger King is in the news because of the widespread theft of the eight foot inflatable Spongebobs from several BK outlets. And add to that the most unfathomable gaff of all. Said Spongebobby is a fry cook at a deep-sea eatery. His specialty is a fast food delight that has achieved mythical status. THE CRABBY PATTY.

Who was the advertising genius who said, "Let's spend millions and millions on licensing fees for SBSP chotchkas but not one red cent on restaging our fried fish sandwich into a "Crabby Patty. Instead, we'll use this golden opportunity to introduce our new Angus Burger."

No boys and girls. Advertising does not define the brand. But dumb advertising can tear down the most durable brand equity in a matter of weeks. Not only for the brand, but for the agency as well. Especially an agency with a name like Bogus...ky.

The Third Great Myth In Global Branding. A Consistent and Total Brand Experience Defines The Brand.

Watch this. Before you get to the next great myth, I'm going to tell you a little story that will show you how impossible the above statement is to manage or effect. The word "Total" when dealing with a global brand is expected to diminish somewhat as the distance from the seat of power increases. But what if the distance is only four blocks from the Chairman's Office? What if the brand is considered the most powerful and pervasive of its kind in the world? What if that one small incident is absolute proof of the larger cancer that has eaten away at the brand for the last ten years?

I live and work in the Hollywood Hills. My soon to be three year old daughter goes to Preschool classes and play group just over the hill in Burbank. This means that we are patrons as well as contributors to the Burbank Library on Buena Vista Blvd. As with libraries all across the country, the Burbank Library has limited funds and is dependent upon the generosity of others to provide the children with books and videos to stir and develop their imaginations. Each year the library's nearest corporate neighbor provides the library with a grand total of four books to help it carry out its mission. Would you care to guess who their nearest corporate neighbor is? Is it NBC? Noooo. Is it Warner Bros.? Noooo. How about those jolly folks who bring you the happiest place on Earth? Bingo!

Yup, Those folks who are so obsessive about their brand and image that they gift wrap tampons before they sell them at D-Land and take Day Care centers to court for allowing children to use their characters in wall murals, also ration out the least possible amount of freebies to their neighborhood library. How's that piece of info for your total brand experience? Is that enough definition for you?

Total Brand Experience doesn't define a brand. Total User Experience both good AND bad defines a brand.

The Fourth Great Myth In Global Branding. Brand Character Defines the Brand.

O.J. Simpson and Hertz. Madonna and Pepsi. Kobe Bryant and the Nike, Coke and McDonald's endorsements that paid but never got played. Then there's Brittany and Beyonce dusted by Pepsi and Celine Dion dropped by Chrysler. Can you say good money after bad? I worked on the Victory Tour when Time-Life broke the photo of Mikey Jackson drinking Diet Coke at the recording session for "We Are The World." How exactly did that "define" the Pepsi Brand? If Greatness By Association worked, we would have more ex-roadies and groupies wining Grammies and more make-up people and personal trainers wining Oscars for Best Performance by a Member of the Entourage ( Jon Peters and Steven Seagal not withstanding.)

Brand Character doesn't define the Brand. Corporate Character defines the Brand. WorldCom can change it's name to MCI for the next hundred years and still not sidestep the stench. Flagstar can fire everybody at Denny's and still not be embraced by a single black person. And Martha Stewart Living? I'm not running out to buy that stock. Are you?

The character of a brand is built by its customers not its managers. Apple kicked out Steve Jobs and cut its own throat, yet when Eisner thought he was bigger than Disney, he took a round to the head.

So what is it that builds a great brand if not marketing, advertising, experience and character? Mythology builds great brands. And where do all mythologies begin? With one simple tactic that was used many years ago when McCann-Ericson built Coca-Cola into the greatest brand the world has ever known. The truth, well told.

"January Is The New September." If you have been keeping up with that protracted car wreck that is Network Television then you know that the start of this season and the November Sweeps were nothing for the Network execs to write home about. Last season NBC and Fox were battling for first and second place in the all-important race for adults 18-49. This season promises to be more of the same.

NBC was down 12 percent from the first nine weeks of the season last year with viewers 18-49, posting a piss poor 3.9 rating. That brought the Peacock in third among the six networks. Fox didn't do much better dropping down 9 percent to a pitiful 3.8 in this key demo.

But the Fat lady has yet to sing and so far CBS is the one to beat with a 4.1 which is a screaming 7 percent climb from last season, followed by the turn around champ ABC who jumped 5 percent to a respectable 4.0. What's got everybody nervous is that the CBS win in the 18-49 demo for five of the first nine weeks this season, is one more week than it won in the big money race for the entire last season. Where does this war of decimals and percentage points play out? Well normally the November Sweeps are where the rubber meets the road in the high stakes Poker game that are the Upfront Ad Markets committed to last May. However the first 20 days days of the sweeps saw CBS pulling 3.7 million more viewers a night than NBC for a 12 percent lead among 18-49 viewers. ABC pulled up third among 18-49 viewers with an 8 percent increase over last year. That left Fox down 3 percent over last year for fourth place. And this with their boy winning the Presidency and an O'Reilly sex scandal to sweeten the pot. And as usual WB and UPN squabbling over dead last.

So now it's up to the Peacock Empire to strike back against the forces of the Big Eye. And fight back they will with the announcement of five new scripted shows and five nonscripted shows that will premiere in January.

"These aren't just shows we threw together, but shows we developed and talked about during last May's upfront," claimed NBC entertainment president Kevin Reilly in MediaWeek this past Monday. So that says that with the absence of the "Friends" powerhouse, NBC went to the mattresses with great television moments like those found in LAX and the two other shows that faced the fate of all turkeys right before Thanksgiving...for the purpose of...warming up their declining share of the 18-49 audience. Hmmm.

"January is the new September," Reilly went on to say, stressing that midseason premieres are more important than those at the start of the season. "I completely believe that," says he.

Now if I were a network TV advertiser's trusted advisor ( which I am) I would be whispering in my client's ear right about now, ( which I have) that's not what they told us in the upfronts for the fall season last May. But NBC is not alone in this belief.

"We have had the same difficulties as past seasons after baseball," says Fox entertainment president Gail Berman. "But if we are flat or slightly down at the end of the fourth quarter, we feel like we have our big guns coming out, ready and poised, while the other networks have used up their big guns." So even the other nets thought that LAX and Big Loser were the "Big Guns."

Now remember, were talking millions and millions of ad dollars going down on this crap shoot. It makes you wonder exactly who the advertisers are using to handicap their bets. Here. This will give you some idea.

"I'm still optimistic about Fox," claims Laura Caraccioli-Davis, senior VP/director of media buying firm Starcom Entertainment in MediaWeek. "Fox traditionally has always come up with something unexpected in mid-season, although I agree that there is not much of a glimmer of hope right now." Hmmm. "I'm still optimistic..." followed by " not much of a glimmer of hope." Step right up and hedge your million dollar bets, ladies and gentlemen.

And the guy who said that he was pulling his company's ( Mitsubishi) money out of network television, after the upfronts last May is now unemployed? What in the world is wrong with this picture?

What's Going On? A few weeks back I happened to read that TiVO boxes or a similar commercial zapping technology would be present in at least 33% of domestic households by the end of next year. (That was before they announced the abandonment of that product feature that made us all tremble.)

I also read that the proliferation of broadband and the availability of video on demand over VideOIP would be wired into 72% of domestic households by 2006.

Add to that the projected 22% slide in network viewership that has been pegged for 2006 and you have some fairly dark days ahead for the venerable 30 second television spot.

People like me are telling their clients ( and people like you) that the giant sucking sound they are about to hear is the bulk of the American Public looking for electronic holes in the sand to stick their heads into to escape the coming hard times ahead.

Then telling them to get in the hole business as fast as they can.

Entertainment is poised to become the new opiate of the masses. And the smart money is already staking out their claim on this volatile mental real estate. Madison Avenue is clueless. Park Avenue is beginning to pay attention. The Networks are loosing ground fast. New players are looking at a global playing field. It's starting to get interesting.

Stay Tuned.

 

MARKETERS FROM
THE FOLLOWING COMPANIES
READ MADISON AVENEW:

OGILVY & MATHER
MULLEN ADVERTISING
THE MARTIN AGENCY
TBWA CHAIT/DAY
GSD&M
YOUNG&RUBICAM
McCANN-ERICKSON
LEO BURNETT USA
PUBLICIS
FOOTE,CONE,BELDING
GREY ADVERTISING
HILL, HOLIDAY
LANDOR ASSOCIATES
MODEM MEDIA
BUMBLE WARD & ASSOCIATES
WPP GROUP
DAVID & GOLIATH
LOWE LINTAS
BRODEUR PORTER NOVELLI
INTERPUBLIC GROUP OF COS
SULLIVAN, HIGDON & SINK

NOBLE & ASSOCIATES
BBDO NY

SAATCHI AND SAATCH
FLEISHMAN HILLIARD
LTC/GSD&M
WONG DOODY

HAL RINEY & PARTNERS
DEUTSCH, INC.
DDB NEEDHAM
CIMARRON GROUP
CAMPBELL EWALD
ZENTROPHY
HILL & KNOWLTON
US WEB

J. WALTER THOMPSON USA
JAGER DI PAOLA KEMP
TRUE NORTH COMMUNICATIONS
CHICAGO CREATIVE PARTNERSHIP
D'ARCY MASIUS BENTON & BOWLES

ADRANTS
NEW YORK TIMES
CHICAGO TRIBUNE
NEW YORK OBSERVER
BRANDWEEK
ADWEEK
LAS VEGAS REVIEW JOURNAL
DOW JONES
LEXIS-NEXIS
COX NEWSPAPERS
PUBLIC INTEREST NETWORK
MONSTER WORLDWIDE
HOUGHTON MIFFIN COMPANY
REUTERS INFORMATION
CMP PUBLICATIONS, INC.
HARPER COLLINS PUBLISHERS
MERIDITH CORPORATION
THE MCGRAW-HILL COMPANIES
THE PROVIDENCE JOURNAL

BANK OF AMERICA
NATIONSBANK
THE PRINCIPAL FINANCIAL GROUP
INDYMAC BANCORP
GUARDIAN LIFE INSURANCE
KMPG/PEAT MARWICK
DEAN WITTER
VERISIGN

INVESTORS BANK & TRUST
AUTOMATIC DATA PROCESSING
MUTUAL LIFE OF CANADA
MUTUAL OF OMAHA
RELIASTAR FINANCIAL
CENTRAL LIFE INSURANCE
FARMERS INSURANCE GROUP


GENERAL MOTORS
MERCEDES-B ENZ OF N.A.

FORD MOTOR CO
NISSAN NORTH AMERICA
CHRYSLER MOTORS CORP


MICROSOFT CORP
SUN MICROSYSTEMS
CISCO SYSTEMS
IBM CORPORATION
PULITZER TECHNOLOGIES
DIEBOLD
HUGHES NETWORK SYSTEMS
NEW DREAM NETWORK


ESTEE LAUDER COMPANIES
THE LIMITED, INC.
TIFFANY CO.

BOEING
AMACO CORPORATION

20TH CENTURY FOX
DIRECTV
VISABLE WORLD, INC.
VIACOM INTERNATIONAL
UNIVERSAL STUDIOS
DISNEY WORLDWIDE SERVICES,
INTERNATIONAL CREATIVE MANAGEMENT
CAA
HOLLYWOOD GOWER CENTERH
SCREENVISION
EMERILS HOMEBASE
BARNES & NOBLE.
FANDANGO
ELECTRIC LIGHTWAVE
TICKETMASTER
PUBLIC BROADCASTING CO.
CLEAR CHANNEL WORLDWIDE


ALLTEL CORP
EARTHLINK, INC
ALLTEL INFORMATION SERVICES
TIME WARNER TELECOM
XO COMMUNICATIONS
ALLEGIANCE TELECOM
INTERNET ALLEGIANCE, INC.
UUNET TECHNOLOGIES
VERIZON
COMCAST CABLE COMMUNICATIONS HOLDINGS
GLOBAL CROSSINGS
ITC DELTACOM
GTE GOVT. SYSTEMS CORP
VERIZON WIRELESS
T-MOBILE USA
ROGERS MEDIA, INC.
UUNET SOUTH AFRICA



UNITED SPACE ALLIANCE
NASA
PORT AUTHORITY OF NY NJ
UNITED NATIONS DEVELOPMENT PROGRAMME

DELTA AIR LINES
S.C. JOHNSON WAX
MERCK & CO.
KAISER PERMIANENTE
CANADIAN MENTAL HEALTH ASSN
STARBUCKS COFFEE CO
THE PROCTER AND GAMBLE
COMPANY
SCHERING-PLOUGH CORP.
DR PEPPER/SEVEN UP
RCN CORPORATION
HOTJOBS.COM
PFIZER
IKEA NA SERVICES
TISHMAN SPEYER PROPERTIES
HEINZ SERVICE COMPANY
RIVES CARLBERG, INC
KINKOS, INC

And You.

     
       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE FINE PRINT

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