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I
reconnected with Jackie in the Men's Room at Heathrow during one
of those horrific work stoppages at Orly. We fell immediately into
a long list of "whateverhappentos" until he remembered
he had two colleagues waiting for him outside. To my shock, the
minute he left the loo he segued into an Oxford accent to introduce
me to his mates from Anderson.
We
met for dinner later that evening and I quizzed him on his Anglican
transformation. He said it was a trick he picked up working at Anderson.
He claimed it allowed them to charge a full 40% more for his
services. Of course the very next day I went out and bought
8 cassettes of the James Bond series and locked myself into my hotel
room to practice. Needless to say, my subsequent presentation to
a German Technology conglomerate went better than I had ever expected.
Even though I had always had my doubts that messages crafted in
Paris, Texas to be trans-global, would play well Bogota, Romania...
the Brit accent built believers for me in every time zone.
Ten
years later, the "least common denominator" approach
was running out of steam and I was pitching "Think Globally,
Act Locally" like everybody else. My point of dif was the addition
of several key phrases in Japanese along with an occasional reference
to the Code of Bushito and the Chinese "Art of War." Armed
with this "buzzpop" I advised my clients on the tactical
benefits associated with centralized production, research and technology
and localized advertising, marketing and distribution to leverage
cultural and geographic differences.
And
now, almost a decade to the date HBR is shaking things up again.
This time it's, "How Global Brands Compete," posted in
their September Edition. It seems those meddlesome wankers at Harvard
Business Review have recently initiated a global chain of focus
groups comprised of 1,500 consumers, from 20 to 35, in 41 countries.
Now they're telling us a whole new story that claims that the so-called
"Global Brands" have somehow lost their nationality.
This
article was sent to me anonymously by someone in the 30318 zip code.
For those of you who don't have such information on the tip of your
tongue, that's Atlanta.
Any
how, the study supposedly confirms that Coca-Cola ( hmmmm?) is
no longer American, L'Oreal is no longer French and Samsung is no
longer Korean. Somehow, according to HBR, they are now all symbols
of a global culture that no longer can be confined by geo political
boundaries. The study goes on to state that country of origin is
no longer an indicator of quality, brands now possess international
"character" attributes that are not necessarily consistent
with their country of origin and social responsibility ( or
lack of same) can spell their kiss of death as quickly as a cancer
scare.
The
study also categorized the world's consumers into four basic segments:
global citizens, global dreamers, antiglobals and global agnostics.
The study indicated that 55% of those interviewed saw themselves
as global citizens, perceiving each global brand in terms of quality,
consumer health, environmental concern and worker's rights. 23%
of the respondents were Global dreamers who admired global brands
as icons to aspire to. 13% considered themselves Antiglobals who
did not trust the motives of global brands and refused to purchase
their products. The remaining 8% considered themselves Global agnostics
and made no differentiation between Global and local brands.
So
where is all of this supposed to lead us this time out? Well remember
last weeks quote from John Quelch, professor at the Harvard Business
School, who claimed, "A deepening opposition to American
foreign policy is threatening the long-term strength of these brands."
Fagettaboutit! HBR's study claimed that " It simply
didn't mater to consumers whether the global brands they bought
were American."
So
according to HBR we need to drag out our "Cool American"
Campaign for Coke Classic and retool it to read "The Cool
Global Citizen"
In
any case, all this talk about global focus groups got the team at
"DoubleThink" thinking twice as hard as usual about our
own methodology. So We decided to go a little farther out on the
"Road to Great Creative." Who are we to say, "This
is great and that idea sucks"
Henceforth
we will be getting 1000 consumers to tell us what they think is
great and what they think sucks the big weenie. The folks at
SurveyMonkey.com will be hooking us up with a web survey each month
on the campaigns we devise. First up will be the "Cool American"
campaign for Classic Coke. Concurrent with that we will be testing
the three ALLTEL campaigns. Just one more way to keep us from
thinking we're all that and a bowl of grits.
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The
Rich Are Very Different.
Rodeo
Drive is host to the world's most expensive retailers and
the most affluent shoppers. It is a high-ticket Fantasia where
money is no object and the mantra is: If you have to ask how
much it costs, you can't afford it.
There,
Battaglia is, foot for foot of selling space, one of the
most expensive menswear stores in the world. The premier
salon for the Brioni line, the suits begin at $3,500 and go
up to five figures. Brioni is, of course, the tailor
who suits James Bond. Shirts begin at $750, and two Stefeno
Ricci ties can set you back a grand and change. Silk boxers
at $125 are the least expensive clothing item in the salon.
On entering, the customer sinks into the ultra-plush carpeting.
Every footstep feels expensive. Rosewood display cases and
walls of mirrors reflect the elegance of a bygone era. The
aroma is of wealth and power. Battaglia's consumer is very
select indeed.
Established
by Dr. Giuseppe Battaglia, the man credited with introducing
the classic Italian style to America, the store has been
on Rodeo Drive for more than 40 years. Battaglia has been
clothier to the most famous names in Hollywood, from Fred
Astaire to Adolph Zukor for more than a quarter of a century.
But by the late 80's the source of their fame and fortune
had become the cause of their decline. The old Hollywood was
dying out, literally and figuratively.
For
the first time in its history, Battaglia realized that
it was going to have to actively pursue new clientele if it
was going to survive. They brought me in to help them
do that. When my agency, SMART opened for business in 1986,
it was one of the first agencies to devote itself exclusively
to the practice of selective marketing. Battaglia, Rodeo Drive,
became its first client.
First
we had to learn more about who Battaglia's customers were.
We began by monitoring the floor traffic. In four hours, only
nine customers entered the store. However, the total sales
for those nine customers was in excess of $38,000. But
who were these people, and where could we find more of them?
The two most elusive audiences in America are at opposite
ends of the consumer spectrum: the homeless and the megarich.
But what they have in common is their primary mode of communication:
word of mouth. Battaglia'sand hence, SMART'starget
market, affluent men with assets of $1 million or more could
not be researched via the standard focus groups or mall intercepts.
Millionaires don't do phone surveys, nor do they respond
to questionnaires.
Retail
outlets and product franchises that cater to exotic or specialized
clientele must pursue new entrants to that customer base,
and not depend on word-of-mouth marketing. SMART had to find
another way to track these elusive consumers. Fortunately,
the answer was right at our feet, for Beverly Hills and its
surrounding area has made the care and feeding of the rich,
famous, and beautiful its raison d'être.
First
we identified 25 "encounter points in Beverly Hills,
Brentwood, Bel-Air, and Malibu where the wealthy congregate.
Places they wait for their cars to be brought to them. Places
they dine. Places they have their nails manicured. Places
they frequent after a rough turn on the polo field. We dispatched
five handsome, well-dressed actors, each to an appropriate
encounter point, equipped with voice-activated micro-cassette
recorders They were instructed to small-talk their way into
getting the answers to four questions we had determined to
be essential to profiling this market.
Not only did we find out which age groups and professions
had the highest level of awareness of Battaglia, we found
out why the new movers and shakers of Hollywood were passing
the store by.
As
if protecting some small corner of their world that was being
taken over by younger versions of themselves, the old guard
in Hollywood wasn't sharing their sartorial secrets. You
have to be inventive with the rich because the more difficult
a market segment is to reach and research, the more critical
the information is to the selective marketing process.
Our
encounter point "interviews revealed that older
money and newer money had vastly different perceptions regarding
what constituted quality. Old money defined quality as
something gained over years of experience and an intimate
understanding of how things are made. New money trusted product
claims of quality, or relied on peer endorsements and style
trends. To the new money, quality was Armani, Versace, and
Polo. To the old money, it was Brioni and Saville Row. The
question was: Could SMART successfully interest new-money
consumers in an old-money retailer.
We
initiated a second round of encounter point surveys to find
the answer to this all-important question. And the answer
was what we and Battaglia hoped: Not only were members of
the new Hollywood interested in learning from its predecessors,
they were eager to learn.
So
do yourself a favor if you're stalking the big bucks game.
Never depend on one encounter with these people to give
you the insight you need to reach them. Go back for more.
And so we didfour more times to be exact, before
we believed we had enough insight into our targeted millionaires
and their buying preferences. We also came to understand what
Battaglia meant to the men who already shopped there.
Battaglia
had become an informal "club of past and present
"influencials in the entertainment, energy, legal,
medical, and financial fields. It was upon this concept-circle
of influencials that we established the foundation to build
our selective marketing strategy for bringing Battaglia into
the next century. This was a primary secret of the Rich and
Famous.
One
point our unorthodox research efforts made clear to us was
that our newly rich target audience believed the previous
generation was "holding back information about
how the affluent lived and how they judged quality. Thus,
the strategy we devised was the following: Convince next-generation
affluent men that there is a level of quality in men's furnishings
that is above and beyond the level they currently perceive
as bestspecifically, a level of quality that
can only be obtained at Battaglia, Rodeo Drive.
It
was a daunting challenge. Delivering Better Than the Best,
while searching for the best approach to delivering better
than the best, Battaglia's wise and urbane general manager
at the time, Alfred Chan, provided the agency with a dusty
file full of photos from the fifties and sixties from Dr.
Battaglia's archives. Each picture was more incredible than
the next. There was a young Guiseppe Battaglia with Yul Brenner,
Nat King Cole, Gary Cooper, Clark Gablethe big
guystaken at Hollywood social functions, Beverly
Hills penthouse barbecues, summer homes in vacation spots
all over the world. Still other photos showed these icons
as they shopped at Battaglia's. Cooper buying a tie. Nat King
Cole slipping into a vicuna coat. Billy Wilder being fitted
for a tux.
A
Picture Is Worth a Million Words and so our first recommendation
was to enlarge the best of the photos of the stars shopping
to 23x36 sepia-tone framed prints and display them prominently
in the store, to bring Battaglia's glorious past into the
present. Although this was only a cosmetic change at the point
of sale, traffic in women shopping for their husbands and
boyfriends did pick up. This was a fact SMART was quick to
capitalize on, for often the key influencers for up-market
men are their up-market significant others. We had learned
that when focusing on a specific audience, don't overlook
their significant others who might be shopping for them.
SMART
recommended building upon the "better half of Battaglia's
target market by restaging the Battaglia designer fragrance
Essenza Por Huomo. At the time, it sold for $55. per ounce.
We convinced management to raise the price to $100 and to
support the relaunch of the fragrance with marketing efforts
directed toward the women intimates of our target men. Our
advertisement headline said it all: Battaglia Essenza. The
one scent worth millions.
Run
in the publications geared to new money, such as Los Angeles
Magazine and the Show Biz trades, Variety and Broadcasting,
the signature cologne positioned the signature shop on Rodeo
Drive. It gave people unaware of, or previously too intimidated
to do more than window-shop, Battaglia an excuse to enter
the store. SMART was also well aware that often an entry-level
product can engage an adjacent segment of a target market,
which can later or concomitantly be developed for expansion.
The strategy worked. Women bought Essenza for their husbands
or boyfriends, who subsequently came in for their refills.
The new millionaires began to discover a new level of quality
in men's furnishingsa level better than the best.
Once
we had succeeded in positioning Battaglia as "better
than the best, it became imperative to distribute
this message to additional print media that would reach those
who could afford better than the best. Every select market
has what SMART referred to as a "perceptual mindscape,
made up of decision-making references based upon shared
group values, acquired data, and personal criteria. From
this mindscape, all new information is noticed, filtered,
evaluated, and embraced or discarded. The process can take
years or moments, depending upon how, when, and where
new information is presented.
Although
Los Angeles Magazine boasted the largest number of up-market
men in its readership, more than two-thirds of its circulation
was well below Battaglia's targeted income/net-worth levelsa
lot of wasted readership to pay for. SMART searched for new
publishing ventures that were also trying to reach this elusive
market. In evaluating publications for possible positioning
of print ads, our criterion was service. Could the publication
provide information compelling to the up-market male audience?
Could the publication offer a service important or essential
to our up- market audience?
After
subjecting several publishers to such analysis, we settled
on the house publication for the Equestrian Center's indoor
polo season and a hard-cover magazine called the Gold Book
that was distributed in the suites of the finest hotels in
Beverly Hills, Century City, and Bel-Air, as well as the capitals
of Europe and Asia. (Upscale hotels proved to be an excellent
entry point for additional national and international sales.
It was a cost-effective way to initially expand a market without
having to purchase media in multiple locations. Hotel publications
also have a longer shelf life and high pass-along ratios.
Furthermore, the placement of the book in high upscale
hotels served as an audience prequalifier, ensuring that the
reader was in the demographic we had defined for our target
customer.) The Gold Book afforded Battaglia the opportunity
to begin to form a long term one-to-one relationship with
national and international clientele.
SMART
was not above using the considerable clout of Battaglia's
media budget to influence the editorial policies of those
publications that we decided met our service criterion. When
a publication has a circulation of less than 1 million, we
never accept the so-called separation of advertising and editorial,
because, as everyone knows, advertisements pay the salaries
of the editorial staffs of such publications. SMART never
let the publishers forget that.
Once
we had the editorial cooperation of our chosen media, our
next step was to create a yearlong calendar of store-based
events to give editorial Battaglia-related events to cover
on a regular basis. This "events calendar was given
four pages in the Gold Book.
In
the spring, we helped arrange for Dr. Battaglia to receive
an award from the Italian government for his 30 years of service
in promoting the classic Italian style of menswear in America.
In the fall, we staged a celebrity charity fashion show featuring
Patrick Wayne, Lalo Shifferin, Ricardo Mantalban, and Larry
Hagman, hosted by Battaglia's former stock boy George Hamilton.
Proceeds from the clothing sold during the show were donated
to the American Cancer Society's Children's Fund. Sidney Poitier,
Charles Bronson, and Sid Shinberg were just a few of the celebrities
in attendance. The event was covered by CNN and NBC as well
as Women's Wear Daily, M, and Esquire. The Equestrian Center
Polo Book ran the photos for an entire season.
But
the most important aspect of the event was that it gave
the new Hollywood a chance to rub shoulders with the old Hollywood
in a venue where the torch could be graciously passedwhich
was, after all, SMART's marketing challenge. Old-world Service
via New-World Technology To celebrate Battaglia's 25th anniversary
on Rodeo Drive, Battaglia unveiled a Brioni suit created by
Alfred Chan. Needless to say, this was no ordinary garment;
the suite was made of cashmere, and featured 24K-gold pinstripes.
The tag, $100,000. This was at the height of the go-go
eighties, and the suit was featured in articles in both the
Wall Street Journal and Barron's. Six of the so-called one-of-a-kind
suits were ordered by the end of the year.
Battaglia
had once again become the menswear store by which all others
were judged. We had succeeded in capturing our select
marketthe new millionaires. SMART followed up
by helping Battaglia design a computerized database of every
customer that came in the store. This gave Battaglia management
and sales staff instant access to their customers' preferences,
as well as to their complete size information for all garments
and accessories. Once a customer was entered in the database,
he could place an order from anywhere in the world and have
it filled and shipped immediately. In addition, when Mr. Chan
made his biannual buying trips to Milano, he could take up-to-the
minute data on which sizes to order. This new customer satisfaction
system gave the Battaglia sales staff the ability to develop
in moments the kind of insight that had previously taken them
years to acquireand that the next-generation millionaires
had come to expect in their high-tech lives. Investing in
a computer tracking system also meant that as he volume of
Battaglia's business increased, the perception of personalized
service that made the store "one step beyond the best
did not have to be compromised.
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A
Personal Rant. I'm
not going to tell you the Network. I'm not going to mention the
Producers. My lips are sealed as regards the talent agency. Suffice
to say that one of the hardest things I have had to endure over
the past decades of my creative life was to not watch a show
that I had created, debut on a major network under someone else's
name. But that's how I've spent the last 24 hours.
It
was hard because of the barrage of phone calls from friends and
well-wishers that had been involved in the development of our show,
who had seen the promos for "their" show, and had called
to congratulate us on getting the show on the Networks. Telling
them their joy and support was misplaced was less than fulfilling,
I must admit. If I had a heart, I'm sure it would be broken at the
sound of their voices going from exaltation to despair in a manner
of seconds. When you come up with a great idea, everyone involved
invests their hopes in success of the group.
t
was hard because my young partners, who had never really known success
in this business were totally crushed by the blatant disregard for
the property they had put career and family and life on hold to
create. I hope, but doubt they will ever trust anyone for a very
long time, if ever again.
But
mainly, it was hard because there is no recourse, but to shrug and
move on. These things happen in the business of ideas. And
that which does not kill us, serves to make us wiser. I read somewhere
that wisdom is knowledge, applied. I am certainly much wiser now.
And although this was not a pleasant episode, the show is far from
over.
Stay
Tuned.
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MARKETERS
FROM
THE FOLLOWING COMPANIES
READ
MADISON AVENEW:
OGILVY
& MATHER
MULLEN ADVERTISING
THE MARTIN AGENCY
TBWA CHAIT/DAY
GSD&M
YOUNG&RUBICAM
McCANN-ERICKSON
LEO BURNETT USA
PUBLICIS
FOOTE,CONE,BELDING
GREY ADVERTISING
HILL, HOLIDAY
LANDOR ASSOCIATES
MODEM MEDIA
BUMBLE WARD & ASSOCIATES
WPP GROUP
DAVID & GOLIATH
LOWE LINTAS
BRODEUR PORTER NOVELLI
INTERPUBLIC
GROUP OF COS
SULLIVAN, HIGDON & SINK
NOBLE &
ASSOCIATES
BBDO NY
SAATCHI AND SAATCH
FLEISHMAN HILLIARD
LTC/GSD&M
WONG DOODY
HAL RINEY &
PARTNERS
DEUTSCH, INC.
DDB NEEDHAM
CIMARRON GROUP
CAMPBELL EWALD
ZENTROPHY
HILL & KNOWLTON
US WEB
J. WALTER THOMPSON
USA
JAGER DI PAOLA KEMP
TRUE NORTH COMMUNICATIONS
ADRANTS
NEW YORK TIMES
CHICAGO TRIBUNE
NEW YORK OBSERVER
BRANDWEEK
ADWEEK
LAS VEGAS REVIEW JOURNAL
DOW JONES
LEXIS-NEXIS
COX NEWSPAPERS
PUBLIC INTEREST NETWORK
MONSTER WORLDWIDE
HOUGHTON
MIFFIN COMPANY
REUTERS INFORMATION
CMP PUBLICATIONS, INC.
HARPER COLLINS PUBLISHERS
MERIDITH CORPORATION
THE MCGRAW-HILL COMPANIES
BANK
OF AMERICA
NATIONSBANK
THE PRINCIPAL FINANCIAL GROUP
INDYMAC BANCORP
GUARDIAN LIFE INSURANCE
KMPG/PEAT
MARWICK
DEAN WITTER
VERISIGN
INVESTORS BANK & TRUST
AUTOMATIC DATA PROCESSING
MUTUAL LIFE OF CANADA
MUTUAL OF OMAHA
RELIASTAR FINANCIAL
CENTRAL LIFE INSURANCE
GENERAL MOTORS
MERCEDES-B ENZ OF N.A.
FORD MOTOR CO
NISSAN NORTH AMERICA
CHRYSLER
MOTORS CORP
MICROSOFT CORP
SUN MICROSYSTEMS
CISCO SYSTEMS
IBM CORPORATION
PULITZER TECHNOLOGIES
DIEBOLD
HUGHES NETWORK SYSTEMS
NEW DREAM NETWORK
EQUINIX, INC.
ESTEE LAUDER COMPANIES
THE LIMITED, INC.
TIFFANY
CO.
BOEING
AMACO CORPORATION
20TH CENTURY FOX
DIRECTV
VISABLE WORLD, INC.
VIACOM INTERNATIONAL
UNIVERSAL STUDIOS
DISNEY WORLDWIDE SERVICES,
INTERNATIONAL CREATIVE MANAGEMENT
CAA
HOLLYWOOD GOWER CENTERH
SCREENVISION
EMERILS HOMEBASE
BARNES & NOBLE.
FANDANGO
ELECTRIC LIGHTWAVE
TICKETMASTER
PUBLIC BROADCASTING CO.
CLEAR CHANNEL WORLDWIDE
ALLTEL CORP
EARTHLINK, INC
ALLTEL INFORMATION SERVICES
TIME WARNER TELECOM
XO COMMUNICATIONS
ALLEGIANCE TELECOM
INTERNET ALLEGIANCE, INC.
UUNET TECHNOLOGIES
VERIZON
COMCAST CABLE COMMUNICATIONS HOLDINGS
GLOBAL CROSSINGS
ITC DELTACOM
GTE GOVT. SYSTEMS CORP
VERIZON WIRELESS
T-MOBILE USA
ROGERS MEDIA, INC.
UNITED SPACE ALLIANCE
NASA
PORT AUTHORITY OF NY NJ
DELTA
AIR LINES
S.C. JOHNSON WAX
MERCK & CO.
KAISER PERMIANENTE
CANADIAN MENTAL HEALTH ASSN
STARBUCKS COFFEE CO
THE PROCTER AND GAMBLE
COMPANY
SCHERING-PLOUGH CORP.
DR PEPPER/SEVEN UP
RCN CORPORATION
HOTJOBS.COM
PFIZER
IKEA NA SERVICES
TISHMAN SPEYER PROPERTIES
HEINZ SERVICE COMPANY
RIVES CARLBERG, INC
And
You.
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