Back In The Good Old Dayz.

The Journey To Great.

The Wherewithal Of A Legend.

Laugh Out Loud.

The Battle For Coca-Cola

The Battle For Coca-Cola
Rages On.

Ain't Nothing Like
The Real Thing, Maybe.

Last Blast Of Cool.

The Death Of Advertising.

Working Twice As Hard

I Don't Mean To Say
I Told You So, But...

Global Cooling

It Is Futile to Resist,

Are Consumers Smarter
Then We Are?.

The Four Great Myths
Of Global Branding.

Mr Bevis Butts Heads
At Mitsubishi

Agility In The Marketplace

Mitsu Who?

The Best Laid Plans
Of Mice And Men.

The Future As I See It.

Dare to Be Great:
The Mad Genius of "The Matrix
"

Some Nerve:

The Boy who Broke My Heart

Mitsubishi's New Marketing Boss
Out Of The Frying Pan.

Too Busy For Temptation

The One True Thing

Concept Is Stronger Than Fact.

I Create, Therefore I Am.

Value Perception In A World
Gone Mad With "Cool"

The Lost Art Of Persuasion

The Future of Advertising
The Brand

 

 

 

 

The Best Laid Plans Of Mice And Men. We hope you had a joyous Holiday. We certainly did right up until Tuesday morning when the third shoe dropped. If you have been faithfully following our adventures you know that the 12 members of the "DoubleThink" Ad Hoc creative team put their Holiday plans on hold to power through our Mitsubishi campaign.

Well Tuesday morning after the resignation of the head of marketing AND the head of advertising from the troubled automaker, the CEO, Finnibar O'Neill promptly fell on his sword and exited the company.

 


VOLUME
NINETEEN

WEDNESDAY
DECEMBER 29,
2004

Now for the first time since "Doublethink" had been doing our pitch-the-biggies" sidewalk act we had finally figured out a way to get the campaign to Mr. O'Neill BEFORE we made it public. This was on the near-impossible chance that he might see the brilliance, therein and include it in his considerations.

Well, so much for that brilliant idea. Then the question came up, do we go ahead and take the campaign public, as planned, even though the review is more than likely a moot issue with the departure of Mr. O'Neill.

Last week you said all Art Directors suck. You said you used to be an Art Director-Robert Y. Troy,NY,

I still am. That's why I know.-HW

I want you to work for my agency. I'll pay you $250k a year-- Dick. G. Minneapolis, MN

Only if I can work from May to August. Wait...never mind. No. -HW

This is why the issue of public display is a tricky one.

he "Doublethink" creative campaign for Mitsubishi breaks all the boundaries of traditional advertising. This is because traditional advertising just doesn't work in reaching their GenY target audience.

So in developing the launch campaign for the 2006 Eclipse, we started with the audience and then built the media vehicles around them. Then we developed the messaging to fit the media vehicles. As a result of this methodology there were a great many innovative technologies and delivery systems developed for this campaign that have never been used before. Technologies that have a proprietary value separate and apart from the campaign ideas themselves.

Now that our window to Mitsu management has been slammed shut, there is a reluctance to "give away" these goodies by making them public. So we won't. We will simply keep on developing and testing. But I will say this. For any of you automotive executives that have been cruising the site over the past few months. OR THE PERSON WHO VISITED OUR SITE FROM MITSUBISHI MOTOR SALES OF AMERICA, YESTERDAY. We have exposed the campaign to an independent, third party. If you are interested in knowing more, drop us a line by clicking here and we will tell you who to contact for an unbiased review of the campaign thus far.

Saga Of The Tragically Hip. While developing the, now shrouded in secrecy Mitsubishi campaign, there were certain aspects that we uncovered that stated that the brand's dependence on songs like "Get What you Give" by the New Radicals and "Start the Commotion" by the Wiseguys may have been selling the wrong thing.

The Wiseguys were an obscure "band" (actually a British DJ named Touche)before their association with the Mitsubishi campaign. Before long, the song had climbed as high as No. 10 on the charts with radio DJ's calling it the "Mitsubishi song."

"The ads invite consumers to be part of a youthful, offbeat Mitsubishi "club," said Mike Sheldon, general manager of Deutsch LA. "When you see the actors bopping and singing to the music, you want to be in the car with them. "

Meanwhile, the car company's sales are plummeting like a rock in free-fall. What's wrong with this picture?

According to Mitsubishi national marketing manager for Australia, Richard Emery one year ago today, "By using music, we wanted to position the brand as youthful and fun. But that is starting to wear off because other [car brands] are using the same style of musical connections. That campaign was more about the music and the people than the cars. We now need to have the cars more upfront and the music and people second.Ó

Of course the upshot of that strategy was that Mitsu wound up closing plants and laying off Aussie workers in June. All of this has to do with the sorry attempts of advertisers to market to a population segment that considers itself "beyond the influence of marketing" according to those we talked to in the malls and parking lots of southern and Northern Cali over the Holidays.

You should hear how they denigrate Detroit's Big Three -- and, to be fair, some foreign automakers who have tried to change their geriatric image by pumping up advertising to the youth market. "They think they can just play some whack music with the bass turned up and wham! Instant street cred. Losers. How do these people keep their jobs?" is how one CPA with several facial piercings put it to me. A couple of her friends just told me to "fuck off." The momentum of these so-called "hip" campaigns lasts just long enough to get Gen X and Y to flip on their GameCubes.

Toyota Motor Co. seems to have done things right. When Toyota launched it's Scion brand last year. It was so hip they only launched it in California, delaying national sales for what they call "buzz factor." They hoped that by the time those cars hit the Midwest, Gen Y would be lining up to buy them -- right after the quietly-sponsored Scion concert wrapped up, that is. All of this without one word about quality or efficiency, which is the cornerstone of the Toyota brand.

James Farley, vice president of Toyota and "Mr. Scion" described the boxy new vehicle as a "toaster oven on wheels." The automaker called the marketing plan "subversive" in the Wall Street Journal, And at the press conference I went to last year, the journalists taking it all in were pierced and tattooed representatives of such fringe publications as YRB, a New York lifestyle magazine that covers the escapades of cross-dressers and rappers.

"Pre-drivers are the target" of the unusual marketing effort that unfolded from traditionally conservative Toyota, spokesman Mike Michels claimed in the Detroit News. That group included everybody age 8 through 22. A trip through their website two years later is like a walk through the local graveyard, Broken links, Scion "Teams" with less than four members, or completely disbanded.

Even so, Toyota on Nov. 8 raised its U.S. sales target for the Scion range to 125,000 next year from an earlier forecast of 100,000 as 2004 sales approached the company's goal for the year. And Honda has a similar vehicle launched in mid 2004. I guess they are considering Scion a success.

"We're not measuring Scion's success by its sales," said James Farley, vice president of Scion. "It's a listening post to connect with these new customers." This guy is one smart cookie. They should tag him for the top spot at Mitsubishi.

Art Spinella, vice president of CNW Marketing/Research Inc. said in Automotive News, "You have to stay in the small car game. If you lose a buyer when they are young, you lose them for life." Detroit's automakers have yet to prove they can build a small car that can go toe-to-toe with the best imports in price and quality. The Korean automakers in particular have priced their new cars so low they have gained buyers in droves. "I don't know if they are making any money," Mark Theodore, an analyst from Ford said recently . "All I know is we have to compete."

Now, Generation X is threatening the "Me Generation" values with not only a transition of power but more: a fresh change of course. Gen X represents the 93 million Americans who were born between 1961 and 1981. More than 83 million are alive today -- ranging in age from 21 to 41.

Gen X is replacing boomer values with their own values, attitudes, and lifestyles. By 2008, Gen X, with help from the next younger generation, will be able to out-vote all older generations combined.

Everything we know, everything we're used to, everything we do in boomer style won't work once Gen X takes charge. For example, Xers are America's most savvy shoppers. According to the Power Report, one Gen X consumer researched the car he wanted to buy, figured out a win-win price, then embalmed an offer to all of the auto dealership managers, by name, within two hundred miles. He got the car he wanted at the price he wanted and a smart dealership got the sale.

Design house Attik's campaign for the Scion had both a different look and a different feel. Scion's vehicles often were not even pictured. Instead, and especially in ``teaser'' campaigns before the vehicle went on sale, slogans -- ``Ban Normality'' and ``Rage Against Beige'' -- directed people to Scion's Web site. Once there, they could learn about the car, but just as importantly, ( to Attik) they could play games and download music.

Their Scion campaign also featured lots of non-traditional aspects. Posters that looked like concert posters, light projections on buildings, a Scion magazine, events such as concerts and street parties and street teams with temporary Scion tattoos on their foreheads, handing out Scion postcards and freebies. With its use of graffiti-like images and Scion stuff put everywhere, like magnetic stickers on gas meters, the campaign had an underground, guerrilla feel. According to Lisa Cleff, Attik's vice president of business development and marketing, ``Nothing was random. Everything was incredibly planned, very strategic.''

Which is a few pegs sharper than the obscure music, geeky casting, slam cutting minimalist palette most of Madison Avenue is using to convey, "We get you guys. No, really. We're down." Pitiful.

We all learned an awful lot about what clicks and what bombs with Gen Y. Hopefully we won't make the stupid mistakes our tragically hip colleagues are making on our next pitch. I know we didn't make them on the Mitsubishi campaign that now lies in stealth mode, waiting for the right moment to pounce.

Stay Tuned.

 

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FORD MOTOR CO
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ALLTEL CORP
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And You.

     
       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE FINE PRINT

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