VOLUME 140

WEDNESDAY
May 23, 2007

I think you really are on to something with this Adoptive Branding thing. Good luck --Noel T., Pittsburgh

Adoptive Branding is where orphans take on the last name of their favorite products. Adaptive Branding is something else again. –hw

MAD002
The Journey to Great

MAD009
The Death of Advertising

MAD023
The Boy Who Broke My Heart

MAD025
Too Busy for Temptation

MAD072
The Rise and Fall of theCreative Class

MAD077
Size Matters. Not!

MAD006
The Battle for Coca-Cola Rages On

MAD059
Happy Birthday to Me

MAD060
The City that Spawned the Age of Advertising

MAD066
The True Cool

MAD095
The Creeping Influence Of All Things Emo.

MAD015
The Four Great Myths of Global Branding

MAD026
The One True Thing

MAD030
The Lost Art of Persuasion

MAD021
Dare To Be Great: The Mad Genius of The "Matrix"

MAD071
Boomers Downshift
To Neutral

MAD092
Advertising Immunity. Can It Be Cured In Our Lifetime?

MAD100
Breathing New Life Into American Business.



AD/PR AGENCIES
A.C. Nielsen Co
Anomoly .
Arnold Worldwide
BBDO NY
Bravo Group
Brodeur Porter Novelli
Brandimensions
Bumble Ward & MAssociates
Burston Marsteller
Campbell Ewald
Carat USA
Chicago Creative
Cimarron Group
The Conference Board
Cramer Krasselt
Creative Media
Crispin Porter & Bogusky
Dai Worldwide
D'arcy Masius Benton Bowles
David & Goliath
DDB Needham
Deutsch, Inc.
Designory
Draft Worldwide
Euro/Halvas North America
Fallon
Fleishman Hilliard
Foote, Cone & MBelding
Fusion P.R.
Goodby,Silverstein
Grey Advertising
GSD&M
Hal Riney & Partners
Hill & Knowlton
Hill, Holiday
Interpublic Group
J. Walter MThompson USA.
Infinity Marketing Solutions
Jager Di Paola
Kemp
Jordan Case McGrath
Landor Associates
Leo Burnett USA
Leverage
Lowe Lintas
The Martin Agency
The MacManus Group
Masterminds Adv.
McCann-Erickson
McKinney & Silver
MetroDetroit Signs
The McManus MGroup
McKinsey & Co
Mediacom
Media Log
Mindshare
Modem Media
Modernista
Mullen Advertising
Noble &
Associates
Ogilvy & Mather
Organic Online
Omnicom Group
P&F MCommunications
Partnership
Patriot Media and MCommunications
Publicis
Rives Carlberg,
The Romann Group
Saatchi and Saatchi
Schlesinger Assoc
SevenTwentyFour
The Sponsorship Co.
Sullivan, Higdon & Sink
TBWA Chiat/Day
True North
US Web
US Web Pittsburgh
Valentine McCormick Ligibel
Wong Doody
WPP Group
Western Media
Weiden & Kennedy
Young & Rubicam
Zentropy
Zyman Group

PUBLICATIONS
Adrants
Adweek
American Busines Media
American City Business Journal
Bloomberg Financial
Brandweek
C|Net
Chicago Tribune
CMP Publications,
Corbis Corp.
Cox Newspapers
Crain Communications
Dow Jones
DowJones-
Telerate
Forbes, Inc.
Getty Images
Hachette Filipacchi
Harper Collins
Houghton Miffin Co.
Knight-Ridder
Las Vegas Review Journal
Lexis-Nexis
Los Angeles Times
Medialink Worldwide
Meridith Corporation
Monster Worldwide
Network
New York Magazine
New York Observer
New York Times
News Corp.
Playboy
Public Interest Network
Random House,
Reuters Information
Screenvision Cinema
The Mcgraw-Hill MCos.
The Providence Journal
The Economist
TV Guide
United

FINANCIAL FIRMS
Assurant, Inc.
American Express
American Family Insurance
Automatic Data
Bank Of America
Bank One
Banque Paribus
Bear Sterns MSecurity
Booze Allen Hamilton
Central Life MInsurance
Charles Schwab & Co.
Citicorp Global Information Network
Chase Manhatten Bank
Commonwealth
Dean Witter
Debartolo Properties
Deutsche Bank
Dorland Sweeny Jones
Ernst & Young
Fannie Mae
Farmers Insurance
First American Title
Guardian Life Insurance
Greenwich Capital Markets
Harris Trust & MSavings
Icon International
Indymac Bancorp
Investors Bank & Trust
John Hancock Insurance
Johnson & Higgins
Kiwi Partners, Inc
KMPG LP
Kmpg/Peat Marwick
Lehman Brothers
Lazard Freres
Massachussetts MMutual
Mckinsey & Company
Merril Lynch
Met Life
Mutual Life Of Canada
Mutual Of Omaha
Morgan Stanley MGroup
Nations Bank
New York Life
Oliver Wyman, Inc
PanAsian Venture
Capital .
Paine Webber
Price Waterhouse
Principal Financial Group
Progressive Insurance
Regent Business Centers
Reliastar Financial
Royal Bank of Canada
Salomon Inc
State Farm Mutual
Sun America
Swift Ventures
VeriSign
United Title
Wells Fargo
World Bank Group

GOVERNMENT/NGO
42nd Communications Squadron, Maxwell AFB
Admin Office of U.S. Courts
Air Force Logistics MCommand.
Autism Partnership
The Art Institute International
American Red Cross
Cal Dept. of Social Services
Canadian Wheat Board
City Of Philadelphia
City of Los Angeles
City of New York
Commonwealth of Kentucky
Communicom Services, Alabama
Development Prog.
DOD Network
Eastern Band of Cherokee Indians
Federal Reserve Board
Hadassah Corporation
Harvard University
Institute For Advanced Study
Internal Revenue Service
John D & Cathrine T. McArthur Foundation
Leukemia & Lymphomia Fund
LosAngeles Unified
School District
NASA
Navy Network Information Center
NJ Dept. of Treasury
N.J. Transit
New York Police Dept.
Office of Mgmt. and Budget
Port Authority Of NY NJ
State of Idaho
State Of Ohio Network
State of Tennessee
Dept. of Education
Stanford University
y St. Francis House
St. Luke's Shawnee Mission
The Freedom Forum
The Hay Group
U.S. Army Research
U.S. Dept. of Commerce
U.S. Dept. of State
U.S. Dept. of Housing and Urban Development
Utah Educational Network
U.S. Environmental Protection Agency
United Nations
United Space Alliance
U.S. Geological Survey
United Federation of
Teachers Welfare Fund
Virginia Economic Development
Western Cancer Center






AUTOMOTIVE
Chrysler Motors Corp.
General Motors
Mercedes-Benz NA

Mercedes-Benz USA
Mitsubishi Motor Sales
Nissan North America
Volkswagen of America
Harley-Davidson

TECHNOLOGY
Accelovation
AG Technologies
Allied Signal, Inc.
Altavista Company
Apple Computer
AT&T Corp.
Bell Laboratories
Boeing
Cisco Systems
Computer Sciences Corp.
Compass Communications
Computerwise, Inc.
Cornerstone Research
Cybernostic Group
Cyveillance, Inc.
Danger.com
Dell Computer Corp.
Diebold
Digitas
Energy Group Networks
E. D. S.
Edaptivity.com
Equinix, Inc.
Evocative, Inc
GHI Technologies
GTech, Corp.
Genentech, Inc
General Electric Plastics
Hewlett-Packard Co.
Hollywood Interactive
Honeywell, Inc.
Hughes Network
IBM Corporation
Knology Holdings
Intel Corporation
Layered MTechnologies
Macromedia, Inc.
MediaLog, Inc.
Metrored SA
Microsoft Corp
Microsoft Hotmail
Mobilnetics, Corp.
MindShare
NKH&W Fon
National Center for Supercomputing
NTT America
Netscape
NetVision, Ltd.
New Dream Network
Network Solutions
Northrop Grumman
Nynex Science & Technology
Oracle Datenbanksystem GmbH
Pulitzer Technologies
PlayStar Music Corp.
PiloSoft, Inc.
Ricoh
Reuters Information
Rackspace.com, Ltd.
Tech
Salk Institute
Savvis
SAP America
Sciworth, Inc.
Scripps Research Institute
Sonic Walls
Sun Microsystems
Supercomputing
Secure Computing
Symantec
MSystems
UAL Loyalty Services
Union DataCom
VeriSign
Virtual Compute
Corp.
Wynne D City Power
Web M.D.
Xerox Palo Alto Research Center
Yahoo!
Yipes Communications

ENTERTAINMENT
19 Entertainment
20th Century Fox
Agency for MPerforming Arts
Ask Jeeves, Inc.
Barnes & Noble
CAA
CBS Studio Center
CBS, Inc.
CineWorks
Clear Channel
Courtroom TV Network
DIC Entertainment
DirecTV
Disney Worldwide Services
Electric Lightwave
Emeril’s Homebase Exxon Mobile Corp.
ESPN
Fandango
Franklin Weinrib Rudell
Golf TV
GE/NBC
Harpo Productions
Hollywood Gower
International Creative Mgmt
Metropolitan Museum of Art
MCA Inc.
NHL Enterprises
Paramount Pictures
Public BroadcastingMCo.
Screenvision
Sirius Satellite Radio
Sony Pictures Entertainment
Steinway & Sons
The Broder Kurland Agency
The Gersh Agency
The New York Jets
Ticketmaster
Universal Studios
Universal Music Group
United Talent Agency
Vasallo, PC
Viacom International
Videotron Telecom
Visable World, Inc.
Webb Uffnar Agency

CONSUMER PRODUCTS
Abbott Laboratories
Affiliated Foods
Air Canada
Allegiance
American Airlines, Inc.
Healthcare
Amazon.com
Allied Signal, Inc.
Amaco Corporation
Anheuser Busch
Apple Computer
Berretta, USA
Bausch & Lomb
Bayer Corp.
Borders, Inc.
Calvin Klein Cosmetics
Canadian Mental
Christian & Timbers
Company
Colgate Palmolive
Conrail
Cooper Oil Tool Div.
Delta Air Lines
Dr Pepper/Seven Up
Eli Lilly & Company
Estee Lauder
Ethan Allen
Federal Express Corp.
First Health Growth
Health Assn
H.J. Heinz Co.
Heinz Service Company
Hotjobs.com
The Home Depot
HQ Global Workplaces
Humana
Ikea NA Services
International Paper
Johanna Foods Inc.
Johns Hopkins
Johns Manville
Johnson & Johnson
Joseph E. Seagram
Kaiser Permianente
Kinkos, Inc
Masonic Homes
Mead Corp.
Merck & Co.
National Gypsum
Norfolk&Western Railway
Nike
Office Max
Oliver Peoples
Pepsi-Cola
Pfizer
Phillip Morris
Procter & Gamble
RCN Corporation
The Ritz Carlton
S.C. Johnson Wax
Scripps Health
Schering-Plough .
Sharper Image
Sony North America
Starbucks Coffee Co
Starwood Hotels
The Limited, Inc.
Tiffany & Co.
Tishman Speyer
Tyco Electronics
Under Armour
Wellpoint Health
Networks
Wm. Wrigley Gunderson
Yum! Brands, Inc.


   

With all of the controversy going on about broken business models, brain-dead agency management, no account accountability and the like, one thing has become perfectly clear. The old days of “client-agency relationship” are dead and deservedly gone. Hoo-ah! Long live the new days of client-anybody-who-can-move-the-needle relationships. Time was when a brand management executive might have had four or maybe five direct reports, externally. Now the number is more like twenty-four to twenty-five. With good reason. What famed screenwriter William Goldman said about Hollywood holds even more true today about Madison Avenue. “Nobody knows nothin’.” But then you knew that.

For our part we have certainly been cheering clients on in this “Dump the Brain Dead” war chant of theirs. We did our part to fire up the User-Generated Content movement. We warned them about the onslaught of the Post-Advertising Era. And most recently we have been urging them to embrace the Adaptive Branding mantra of “change or die.” From the correspondence we’ve been getting from the guys and gals on column right, it seems like folks have been listening. The decline and fall of the “Agency of Record” status is certainly a strong indication that this new client skepticism is spreading like the Black Plague. Attaboys all around.

For our part we are doing everything we can to continue to define our Adaptive Branding initiative to anybody who will stand still long enough to listen. Certainly the relationship between the Brand and the audience (as with any social system) is an innate mish-mash of complexity and constant change. As social agents the members of brand management and audience alike are constantly enmeshed in a web of connections with one another. Through a variety of adaptive processes, both brand and audience must successfully navigate through a world of attraction and rejection scenarios that never end. Modeling this world is the essence of the Adaptive Branding work being done by GASP and the IAPIA. Our objective is to accurately predict and react to the actions and predictions of both brand and audience alike.

What we know is that the Adaptive Brand and the audience have the power to alter the world in which they live. What we do not know is how much sophistication is required on both parts to alter their world effectively. What is also unknown is an understanding of what other conditions are necessary for these alterations to happen. In general, the link between brand/audience sophistication and system outcome is poorly understood by all of us who brand stuff for a living. It is our hope to learn more.

What we do know is that both brand and audience receive information about their worlds and then act. Traditional economic modeling tends to have a very narrow view of the issues that arise in acquiring information, processing it, and then acting upon it. Economists love to work with best-case scenarios, where agents get the best info, process it with absolute logic and then act accordingly. Which is one reason the current business model for marketing is “in the shop.”

This ability to ignore reality has become a crucial component in scientific progress, just like answering some brat’s incessant “But whyyyyyys?” with “Because I said so.” The truth of the matter is that even if we knew the fundamentals of the world that binds the brand to the audience, we may not be able to use that knowledge to reconstruct a higher-level system or world. The whole may not only become more, but very different from the sum of its parts. This “more is different” hypothesis provides a strong motivation for attempting to model such a complex system. Perhaps the answers lie in scrapping what exists between the brand and the audience and starting from scratch. Which is a lot like saying to the body of knowledge we know as traditional branding, “Drop dead .”

Stay tuned.

 

For more of The Intern click here .