Back In The Good Old Dayz.

The Journey To Great.

The Wherewithal Of A Legend.

Laugh Out Loud.

The Battle For Coca-Cola

The Battle For Coca-Cola
Rages On.

Ain't Nothing Like
The Real Thing, Maybe.

Last Blast Of Cool.

The Death Of Advertising.

Working Twice As Hard

I Don't Mean To Say
I Told You So, But...

Global Cooling

It Is Futile to Resist,

Are Consumers Smarter
Then We Are?.

The Four Great Myths
Of Global Branding.

Mr Bevis Butts Heads
At Mitsubishi

Agility In The Marketplace

Mitsu Who?

The Best Laid Plans
Of Mice And Men.

The Future As I See It.

Dare to Be Great:
The Mad Genius of "The Matrix
"

Some Nerve:

The Boy who Broke My Heart

Mitsubishi's New Marketing Boss
Out Of The Frying Pan.

Too Busy For Temptation

The One True Thing

Concept Is Stronger Than Fact.

I Create, Therefore I Am.

Value Perception In A World
Gone Mad With "Cool"

The Lost Art Of Persuasion

The Future of Advertising
The Brand

 

 

Global Cooling. In 1983 the Harvard Business Review published an article, entitled "The Globalization of Markets." In one fell swoop, the practice we know as Global Marketing was born. What a crock.

Suddenly everybody was jumping on the Global Brandwagon. I should know. I was right out there with the rest of the Snakeoil Salesmen, swapping lies about " Universal Truths" and the importance of leveraging the "economics of simplicity" to standardize product positioning across the time zones.


VOLUME
TWELVE
WEDNESDAY
NOVEMBER 10,
2004

 

"Give me $100k, US and I'll show you how to lower marketing costs and engage in "CCC", Consistent Consumer Communication."

My global campaigns for Ford Motor Company and Union Carbide had provided me with all the credentials I needed to get in the door. But the thing that really sealed the deal was a tip I got from a friend at Arthur Anderson.

I need a job. Can you hook me up? Lonnie, S. Dallas

I hear the U.S. Army is hiring-HW

My company is considering retaining an ad agency for a new product launch. Who would you recommend -Deborah F.. Providence

Modernista or David and Golieth.-HW

Jackie Keno was a skinny little kid from around the way who paid his way through Harvard B-School as a world class card sharp. His Poker games were all 3 day marathons that would start in the dorms on Friday afternoon, migrate to the "Night Owl," a Boston-New York midnight express train to New York, and wind up in a suite at the "Pennsylvanian" hotel across from Penn Station late Sunday Night.

I reconnected with Jackie in the Men's Room at Heathrow during one of those horrific work stoppages at Orly. We fell immediately into a long list of "whateverhappentos" until he remembered he had two colleagues waiting for him outside. To my shock, the minute he left the loo he segued into an Oxford accent to introduce me to his mates from Anderson.

We met for dinner later that evening and I quizzed him on his Anglican transformation. He said it was a trick he picked up working at Anderson. He claimed it allowed them to charge a full 40% more for his services. Of course the very next day I went out and bought 8 cassettes of the James Bond series and locked myself into my hotel room to practice. Needless to say, my subsequent presentation to a German Technology conglomerate went better than I had ever expected. Even though I had always had my doubts that messages crafted in Paris, Texas to be trans-global, would play well Bogota, Romania... the Brit accent built believers for me in every time zone.

Ten years later, the "least common denominator" approach was running out of steam and I was pitching "Think Globally, Act Locally" like everybody else. My point of dif was the addition of several key phrases in Japanese along with an occasional reference to the Code of Bushito and the Chinese "Art of War." Armed with this "buzzpop" I advised my clients on the tactical benefits associated with centralized production, research and technology and localized advertising, marketing and distribution to leverage cultural and geographic differences.

And now, almost a decade to the date HBR is shaking things up again. This time it's, "How Global Brands Compete," posted in their September Edition. It seems those meddlesome wankers at Harvard Business Review have recently initiated a global chain of focus groups comprised of 1,500 consumers, from 20 to 35, in 41 countries. Now they're telling us a whole new story that claims that the so-called "Global Brands" have somehow lost their nationality.

This article was sent to me anonymously by someone in the 30318 zip code. For those of you who don't have such information on the tip of your tongue, that's Atlanta.

Any how, the study supposedly confirms that Coca-Cola ( hmmmm?) is no longer American, L'Oreal is no longer French and Samsung is no longer Korean. Somehow, according to HBR, they are now all symbols of a global culture that no longer can be confined by geo political boundaries. The study goes on to state that country of origin is no longer an indicator of quality, brands now possess international "character" attributes that are not necessarily consistent with their country of origin and social responsibility ( or lack of same) can spell their kiss of death as quickly as a cancer scare.

The study also categorized the world's consumers into four basic segments: global citizens, global dreamers, antiglobals and global agnostics. The study indicated that 55% of those interviewed saw themselves as global citizens, perceiving each global brand in terms of quality, consumer health, environmental concern and worker's rights. 23% of the respondents were Global dreamers who admired global brands as icons to aspire to. 13% considered themselves Antiglobals who did not trust the motives of global brands and refused to purchase their products. The remaining 8% considered themselves Global agnostics and made no differentiation between Global and local brands.

So where is all of this supposed to lead us this time out? Well remember last weeks quote from John Quelch, professor at the Harvard Business School, who claimed, "A deepening opposition to American foreign policy is threatening the long-term strength of these brands." Fagettaboutit! HBR's study claimed that " It simply didn't mater to consumers whether the global brands they bought were American."

So according to HBR we need to drag out our "Cool American" Campaign for Coke Classic and retool it to read "The Cool Global Citizen"

In any case, all this talk about global focus groups got the team at "DoubleThink" thinking twice as hard as usual about our own methodology. So We decided to go a little farther out on the "Road to Great Creative." Who are we to say, "This is great and that idea sucks"

Henceforth we will be getting 1000 consumers to tell us what they think is great and what they think sucks the big weenie. The folks at SurveyMonkey.com will be hooking us up with a web survey each month on the campaigns we devise. First up will be the "Cool American" campaign for Classic Coke. Concurrent with that we will be testing the three ALLTEL campaigns. Just one more way to keep us from thinking we're all that and a bowl of grits.

The Rich Are Very Different. Rodeo Drive is host to the world's most expensive retailers and the most affluent shoppers. It is a high-ticket Fantasia where money is no object and the mantra is: If you have to ask how much it costs, you can't afford it.

There, Battaglia is, foot for foot of selling space, one of the most expensive menswear stores in the world. The premier salon for the Brioni line, the suits begin at $3,500 and go up to five figures. Brioni is, of course, the tailor who suits James Bond. Shirts begin at $750, and two Stefeno Ricci ties can set you back a grand and change. Silk boxers at $125 are the least expensive clothing item in the salon.

On entering, the customer sinks into the ultra-plush carpeting. Every footstep feels expensive. Rosewood display cases and walls of mirrors reflect the elegance of a bygone era. The aroma is of wealth and power. Battaglia's consumer is very select indeed.

Established by Dr. Giuseppe Battaglia, the man credited with introducing the classic Italian style to America, the store has been on Rodeo Drive for more than 40 years. Battaglia has been clothier to the most famous names in Hollywood, from Fred Astaire to Adolph Zukor for more than a quarter of a century. But by the late 80's the source of their fame and fortune had become the cause of their decline. The old Hollywood was dying out, literally and figuratively.

For the first time in its history, Battaglia realized that it was going to have to actively pursue new clientele if it was going to survive. They brought me in to help them do that. When my agency, SMART opened for business in 1986, it was one of the first agencies to devote itself exclusively to the practice of selective marketing. Battaglia, Rodeo Drive, became its first client.

First we had to learn more about who Battaglia's customers were. We began by monitoring the floor traffic. In four hours, only nine customers entered the store. However, the total sales for those nine customers was in excess of $38,000. But who were these people, and where could we find more of them?

The two most elusive audiences in America are at opposite ends of the consumer spectrum: the homeless and the megarich. But what they have in common is their primary mode of communication: word of mouth. Battaglia's––and hence, SMART's––target market, affluent men with assets of $1 million or more could not be researched via the standard focus groups or mall intercepts. Millionaires don't do phone surveys, nor do they respond to questionnaires.

Retail outlets and product franchises that cater to exotic or specialized clientele must pursue new entrants to that customer base, and not depend on word-of-mouth marketing. SMART had to find another way to track these elusive consumers. Fortunately, the answer was right at our feet, for Beverly Hills and its surrounding area has made the care and feeding of the rich, famous, and beautiful its raison d'être.

First we identified 25 "encounter points“ in Beverly Hills, Brentwood, Bel-Air, and Malibu where the wealthy congregate. Places they wait for their cars to be brought to them. Places they dine. Places they have their nails manicured. Places they frequent after a rough turn on the polo field. We dispatched five handsome, well-dressed actors, each to an appropriate encounter point, equipped with voice-activated micro-cassette recorders They were instructed to small-talk their way into getting the answers to four questions we had determined to be essential to profiling this market.

Not only did we find out which age groups and professions had the highest level of awareness of Battaglia, we found out why the new movers and shakers of Hollywood were passing the store by.

As if protecting some small corner of their world that was being taken over by younger versions of themselves, the old guard in Hollywood wasn't sharing their sartorial secrets. You have to be inventive with the rich because the more difficult a market segment is to reach and research, the more critical the information is to the selective marketing process.

Our encounter point "interviews“ revealed that older money and newer money had vastly different perceptions regarding what constituted quality. Old money defined quality as something gained over years of experience and an intimate understanding of how things are made. New money trusted product claims of quality, or relied on peer endorsements and style trends. To the new money, quality was Armani, Versace, and Polo. To the old money, it was Brioni and Saville Row. The question was: Could SMART successfully interest new-money consumers in an old-money retailer.

We initiated a second round of encounter point surveys to find the answer to this all-important question. And the answer was what we and Battaglia hoped: Not only were members of the new Hollywood interested in learning from its predecessors, they were eager to learn.

So do yourself a favor if you're stalking the big bucks game. Never depend on one encounter with these people to give you the insight you need to reach them. Go back for more. And so we did––four more times to be exact, before we believed we had enough insight into our targeted millionaires and their buying preferences. We also came to understand what Battaglia meant to the men who already shopped there.

Battaglia had become an informal "club“ of past and present "influencials“ in the entertainment, energy, legal, medical, and financial fields. It was upon this concept-circle of influencials that we established the foundation to build our selective marketing strategy for bringing Battaglia into the next century. This was a primary secret of the Rich and Famous.

One point our unorthodox research efforts made clear to us was that our newly rich target audience believed the previous generation was "holding back“ information about how the affluent lived and how they judged quality. Thus, the strategy we devised was the following: Convince next-generation affluent men that there is a level of quality in men's furnishings that is above and beyond the level they currently perceive as best––specifically, a level of quality that can only be obtained at Battaglia, Rodeo Drive.

It was a daunting challenge. Delivering Better Than the Best, while searching for the best approach to delivering better than the best, Battaglia's wise and urbane general manager at the time, Alfred Chan, provided the agency with a dusty file full of photos from the fifties and sixties from Dr. Battaglia's archives. Each picture was more incredible than the next. There was a young Guiseppe Battaglia with Yul Brenner, Nat King Cole, Gary Cooper, Clark Gable––the big guys––taken at Hollywood social functions, Beverly Hills penthouse barbecues, summer homes in vacation spots all over the world. Still other photos showed these icons as they shopped at Battaglia's. Cooper buying a tie. Nat King Cole slipping into a vicuna coat. Billy Wilder being fitted for a tux.

A Picture Is Worth a Million Words and so our first recommendation was to enlarge the best of the photos of the stars shopping to 23x36 sepia-tone framed prints and display them prominently in the store, to bring Battaglia's glorious past into the present. Although this was only a cosmetic change at the point of sale, traffic in women shopping for their husbands and boyfriends did pick up. This was a fact SMART was quick to capitalize on, for often the key influencers for up-market men are their up-market significant others. We had learned that when focusing on a specific audience, don't overlook their significant others who might be shopping for them.

SMART recommended building upon the "better half“ of Battaglia's target market by restaging the Battaglia designer fragrance Essenza Por Huomo. At the time, it sold for $55. per ounce. We convinced management to raise the price to $100 and to support the relaunch of the fragrance with marketing efforts directed toward the women intimates of our target men. Our advertisement headline said it all: Battaglia Essenza. The one scent worth millions.

Run in the publications geared to new money, such as Los Angeles Magazine and the Show Biz trades, Variety and Broadcasting, the signature cologne positioned the signature shop on Rodeo Drive. It gave people unaware of, or previously too intimidated to do more than window-shop, Battaglia an excuse to enter the store. SMART was also well aware that often an entry-level product can engage an adjacent segment of a target market, which can later or concomitantly be developed for expansion. The strategy worked. Women bought Essenza for their husbands or boyfriends, who subsequently came in for their refills. The new millionaires began to discover a new level of quality in men's furnishings––a level better than the best.

Once we had succeeded in positioning Battaglia as "better than the best,“ it became imperative to distribute this message to additional print media that would reach those who could afford better than the best. Every select market has what SMART referred to as a "perceptual mindscape,“ made up of decision-making references based upon shared group values, acquired data, and personal criteria. From this mindscape, all new information is noticed, filtered, evaluated, and embraced or discarded. The process can take years or moments, depending upon how, when, and where new information is presented.

Although Los Angeles Magazine boasted the largest number of up-market men in its readership, more than two-thirds of its circulation was well below Battaglia's targeted income/net-worth levels––a lot of wasted readership to pay for. SMART searched for new publishing ventures that were also trying to reach this elusive market. In evaluating publications for possible positioning of print ads, our criterion was service. Could the publication provide information compelling to the up-market male audience? Could the publication offer a service important or essential to our up- market audience?

After subjecting several publishers to such analysis, we settled on the house publication for the Equestrian Center's indoor polo season and a hard-cover magazine called the Gold Book that was distributed in the suites of the finest hotels in Beverly Hills, Century City, and Bel-Air, as well as the capitals of Europe and Asia. (Upscale hotels proved to be an excellent entry point for additional national and international sales. It was a cost-effective way to initially expand a market without having to purchase media in multiple locations. Hotel publications also have a longer shelf life and high pass-along ratios. Furthermore, the placement of the book in high upscale hotels served as an audience prequalifier, ensuring that the reader was in the demographic we had defined for our target customer.) The Gold Book afforded Battaglia the opportunity to begin to form a long term one-to-one relationship with national and international clientele.

SMART was not above using the considerable clout of Battaglia's media budget to influence the editorial policies of those publications that we decided met our service criterion. When a publication has a circulation of less than 1 million, we never accept the so-called separation of advertising and editorial, because, as everyone knows, advertisements pay the salaries of the editorial staffs of such publications. SMART never let the publishers forget that.

Once we had the editorial cooperation of our chosen media, our next step was to create a yearlong calendar of store-based events to give editorial Battaglia-related events to cover on a regular basis. This "events calendar“ was given four pages in the Gold Book.

In the spring, we helped arrange for Dr. Battaglia to receive an award from the Italian government for his 30 years of service in promoting the classic Italian style of menswear in America. In the fall, we staged a celebrity charity fashion show featuring Patrick Wayne, Lalo Shifferin, Ricardo Mantalban, and Larry Hagman, hosted by Battaglia's former stock boy George Hamilton. Proceeds from the clothing sold during the show were donated to the American Cancer Society's Children's Fund. Sidney Poitier, Charles Bronson, and Sid Shinberg were just a few of the celebrities in attendance. The event was covered by CNN and NBC as well as Women's Wear Daily, M, and Esquire. The Equestrian Center Polo Book ran the photos for an entire season.

But the most important aspect of the event was that it gave the new Hollywood a chance to rub shoulders with the old Hollywood in a venue where the torch could be graciously passed––which was, after all, SMART's marketing challenge. Old-world Service via New-World Technology To celebrate Battaglia's 25th anniversary on Rodeo Drive, Battaglia unveiled a Brioni suit created by Alfred Chan. Needless to say, this was no ordinary garment; the suite was made of cashmere, and featured 24K-gold pinstripes. The tag, $100,000. This was at the height of the go-go eighties, and the suit was featured in articles in both the Wall Street Journal and Barron's. Six of the so-called one-of-a-kind suits were ordered by the end of the year.

Battaglia had once again become the menswear store by which all others were judged. We had succeeded in capturing our select market––the new millionaires. SMART followed up by helping Battaglia design a computerized database of every customer that came in the store. This gave Battaglia management and sales staff instant access to their customers' preferences, as well as to their complete size information for all garments and accessories. Once a customer was entered in the database, he could place an order from anywhere in the world and have it filled and shipped immediately. In addition, when Mr. Chan made his biannual buying trips to Milano, he could take up-to-the minute data on which sizes to order. This new customer satisfaction system gave the Battaglia sales staff the ability to develop in moments the kind of insight that had previously taken them years to acquire––and that the next-generation millionaires had come to expect in their high-tech lives. Investing in a computer tracking system also meant that as he volume of Battaglia's business increased, the perception of personalized service that made the store "one step beyond the best“ did not have to be compromised.

A Personal Rant. I'm not going to tell you the Network. I'm not going to mention the Producers. My lips are sealed as regards the talent agency. Suffice to say that one of the hardest things I have had to endure over the past decades of my creative life was to not watch a show that I had created, debut on a major network under someone else's name. But that's how I've spent the last 24 hours.

It was hard because of the barrage of phone calls from friends and well-wishers that had been involved in the development of our show, who had seen the promos for "their" show, and had called to congratulate us on getting the show on the Networks. Telling them their joy and support was misplaced was less than fulfilling, I must admit. If I had a heart, I'm sure it would be broken at the sound of their voices going from exaltation to despair in a manner of seconds. When you come up with a great idea, everyone involved invests their hopes in success of the group.

t was hard because my young partners, who had never really known success in this business were totally crushed by the blatant disregard for the property they had put career and family and life on hold to create. I hope, but doubt they will ever trust anyone for a very long time, if ever again.

But mainly, it was hard because there is no recourse, but to shrug and move on. These things happen in the business of ideas. And that which does not kill us, serves to make us wiser. I read somewhere that wisdom is knowledge, applied. I am certainly much wiser now. And although this was not a pleasant episode, the show is far from over.

 

Stay Tuned.

 

MARKETERS FROM
THE FOLLOWING COMPANIES
READ MADISON AVENEW:

OGILVY & MATHER
MULLEN ADVERTISING
THE MARTIN AGENCY
TBWA CHAIT/DAY
GSD&M
YOUNG&RUBICAM
McCANN-ERICKSON
LEO BURNETT USA
PUBLICIS
FOOTE,CONE,BELDING
GREY ADVERTISING
HILL, HOLIDAY
LANDOR ASSOCIATES
MODEM MEDIA
BUMBLE WARD & ASSOCIATES
WPP GROUP
DAVID & GOLIATH
LOWE LINTAS
BRODEUR PORTER NOVELLI
INTERPUBLIC GROUP OF COS
SULLIVAN, HIGDON & SINK

NOBLE & ASSOCIATES
BBDO NY

SAATCHI AND SAATCH
FLEISHMAN HILLIARD
LTC/GSD&M
WONG DOODY

HAL RINEY & PARTNERS
DEUTSCH, INC.
DDB NEEDHAM
CIMARRON GROUP
CAMPBELL EWALD
ZENTROPHY
HILL & KNOWLTON
US WEB

J. WALTER THOMPSON USA
JAGER DI PAOLA KEMP
TRUE NORTH COMMUNICATIONS

ADRANTS
NEW YORK TIMES
CHICAGO TRIBUNE
NEW YORK OBSERVER
BRANDWEEK
ADWEEK
LAS VEGAS REVIEW JOURNAL
DOW JONES
LEXIS-NEXIS
COX NEWSPAPERS
PUBLIC INTEREST NETWORK
MONSTER WORLDWIDE
HOUGHTON MIFFIN COMPANY
REUTERS INFORMATION
CMP PUBLICATIONS, INC.
HARPER COLLINS PUBLISHERS
MERIDITH CORPORATION
THE MCGRAW-HILL COMPANIES

BANK OF AMERICA
NATIONSBANK
THE PRINCIPAL FINANCIAL GROUP
INDYMAC BANCORP
GUARDIAN LIFE INSURANCE
KMPG/PEAT MARWICK
DEAN WITTER
VERISIGN

INVESTORS BANK & TRUST
AUTOMATIC DATA PROCESSING
MUTUAL LIFE OF CANADA
MUTUAL OF OMAHA
RELIASTAR FINANCIAL
CENTRAL LIFE INSURANCE


GENERAL MOTORS
MERCEDES-B ENZ OF N.A.

FORD MOTOR CO
NISSAN NORTH AMERICA
CHRYSLER MOTORS CORP


MICROSOFT CORP
SUN MICROSYSTEMS
CISCO SYSTEMS
IBM CORPORATION
PULITZER TECHNOLOGIES
DIEBOLD
HUGHES NETWORK SYSTEMS
NEW DREAM NETWORK
EQUINIX, INC.

ESTEE LAUDER COMPANIES
THE LIMITED, INC.
TIFFANY CO.

BOEING
AMACO CORPORATION

20TH CENTURY FOX
DIRECTV
VISABLE WORLD, INC.
VIACOM INTERNATIONAL
UNIVERSAL STUDIOS
DISNEY WORLDWIDE SERVICES,
INTERNATIONAL CREATIVE MANAGEMENT
CAA
HOLLYWOOD GOWER CENTERH
SCREENVISION
EMERILS HOMEBASE
BARNES & NOBLE.
FANDANGO
ELECTRIC LIGHTWAVE
TICKETMASTER
PUBLIC BROADCASTING CO.
CLEAR CHANNEL WORLDWIDE


ALLTEL CORP
EARTHLINK, INC
ALLTEL INFORMATION SERVICES
TIME WARNER TELECOM
XO COMMUNICATIONS
ALLEGIANCE TELECOM
INTERNET ALLEGIANCE, INC.
UUNET TECHNOLOGIES
VERIZON
COMCAST CABLE COMMUNICATIONS HOLDINGS
GLOBAL CROSSINGS
ITC DELTACOM
GTE GOVT. SYSTEMS CORP
VERIZON WIRELESS
T-MOBILE USA
ROGERS MEDIA, INC.



UNITED SPACE ALLIANCE
NASA
PORT AUTHORITY OF NY NJ

DELTA AIR LINES
S.C. JOHNSON WAX
MERCK & CO.
KAISER PERMIANENTE
CANADIAN MENTAL HEALTH ASSN
STARBUCKS COFFEE CO
THE PROCTER AND GAMBLE
COMPANY
SCHERING-PLOUGH CORP.
DR PEPPER/SEVEN UP
RCN CORPORATION
HOTJOBS.COM
PFIZER
IKEA NA SERVICES
TISHMAN SPEYER PROPERTIES
HEINZ SERVICE COMPANY
RIVES CARLBERG, INC

And You.

     
       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE FINE PRINT

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